Once upon a time, I wrote about the difficulties of purpose, particularly if you don’t lead a religious life. Every day for me since I was 18, or probably even before that, has been an odyssey of figuring out what it is that I want to do with my life, and tragically, nearing the end of my twenties, I’m no more sure now of what I want to do as opposed to then. I’ve sort of jumped from one situation to the next with no real sense of permanence, and while I was one of the lucky few to snag a decent job after I returned from England, one with full-time pay and some benefits, I’m still not feeling particularly fulfilled. What the hell, world? Why does adulting suck so goddamned always?
So I got a job last month (hence the more or less radio silence) working as a copy editor at a small marketing firm in Belmont. It ticked off the list of criteria I was looking for – it’s a livable income, it pertains to my major, and it is actually the sort of job I knew I could be good at. So what the hell is the problem? The problem is, it’s soulless. I’m not doing anything that is even remotely meaningful on any scale. Hell, when I was making coffee at Peet’s, at least I was doing something creative, something that people enjoyed as well as got use out of. In even a tiny way, I was contributing something marginally meaningful. At this job, I do a gigantic heap of nothing important. I help millionaires sell big, gaudy homes to other millionaires. I don’t write. I don’t create. I check facts and spelling. I’m constantly insulted, stifled, and/or left with nothing to do at all because my boss refuses to teach me anything beyond that. I also get paid almost 10k less per year than what a copy editor makes on average in the Bay Area. So that’s cool!
My dear friend’s older brother is one of the brilliant writers behind The Lizzie Bennett Diaries, a webseries that has been critically acclaimed, and whose accolades include, you know, an Emmy or two. But the thing is, five years ago, he was stuck where I am now – working a job that didn’t give him any joy or satisfaction, so he took the risk, quit that job, and devoted himself to his passion, to great success. I know that that isn’t typical of most people who quit their jobs to become writers, but JFC, what do I have to do to push myself to take that kind of risk?
My best friend and I were discussing yesterday that one of the problems I have in my life is that I don’t do well with routine – having a predictable, day-to-day schedule doesn’t fit me particularly well, a side-effect, no doubt, of 9 years in the coffee industry, where no one day was the same as the day before. Today, I read the words “fabulous,” “contemporary,” “chic,” and “wonderful” so often that they’ve lost all goddamned meaning – you’d think every house in the Peninsula was a fabulous, chic, contemporary masterpiece with a wonderful master suite. And none of these are houses that I’ll ever see, let alone own. So what’s the friggin’ point?
It’s clear that I need to do more, or at least different. My biggest penis-envy inspiration are people like Ryan Sohmer, the guy behind Blind Ferret Entertainment and Least I Could Do, Bernie Su, the aforementioned writer of The Lizzie Bennett Diaries, and, of course, the incomparable and dearly missed Monty Oum, the brilliant writer behind RWBY, as well as the founders and contributors of Rooster Teeth Productions. Not just because they’re all monstrously creative people, but because they took risks and brought something great to the world. That’s the sort of life I want to live. That’s what I feel like my purpose is. It’s like the sun – bright, shining, and so close, but equally difficult to touch.
I guess step one is stop being afraid. Step two? Figure out how to make it happen.
Wish me luck.